The sound editors for the feature films Gravity, Captain Phillips and The Great Gatsby picked up an award each. For animation, the winners were Frozen and Epic. The documentary winner was the team for Dirty Wars, while both The Grandmaster and The Past were the winners for Foreign Language Feature Film.
In television, Game of Thrones picked up a pair of prizes. Other winners included Breaking Bad and Sons of Anarchy.
George Lucas presented the Career Achievement Award to Skywalker Sound veteran Randy Thom. Thom was also one of the Supervising Sound Editors that won for Epic.
Film nominations for the 61st annual Golden Reel Awards
Complete list of winners for the 61st annual Golden Reel Awards
Best Sound Editing in Feature Film – Sound Effects & Foley
Gravity
Supervising Sound Editor: Glenn Freemantle
Sound Designer: Glenn Freemantle
Foley Artist: Nicolas Becker
Sound Design Editors: Niv Adiri, Ben Barker, Eilam Hoffman
Best Sound Editing in Feature Film – Dialogue And ADR
Captain Phillips
Supervising Sound Editor: Oliver Tarney, MPSE
Supervising Dialogue Editor: Bjørn Schroeder
Supervising ADR Editor: Simon Chase
Dialogue Editor: Rob Killick
Best Sound Editing in Feature Film – Music
The Great Gatsby
Supervising Music Editors: Jason Ruder, Tim Ryan
Music Editor: Craig Beckett
Best Sound Editing in Feature Film – Music, Musical Feature
Frozen
Music Editors: Earl Ghaffari, Fernand Bos, MPSE
Best Sound & Music Editing: Sound Effects, Foley, Dialogue & ADR in an Animation Feature Film
Epic
Supervising Sound Editors: Gwendolyn Yates Whittle, MPSE, Randy Thom
Sound Designers: Randy Thom, Jeremy Bowker
Supervising Foley Editor: Luke Dunn Gielmuda
Supervising Dialogue Editor: Brad Semenoff
Foley Artists: Denise Thorpe, Jana Vance
Foley Editors: Benny Burtt, Jim Likowski
Dialogue Editor: Michael Silvers
Sound Effects Editors: Leff Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
Music Editors: Lisa Jaime, Bill Abbott
Best Sound & Music Editing: Documentaries – Feature Film
Dirty Wars
Supervising Sound Editor: Christopher Barnett
Sound Designers: Christopher Barnett, Brandon Proctor
Best Sound & Music Editing: Feature Film – Foreign Language
The Grandmaster
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
Sound Designers: Nopawat Likitwong, Steve Burgess
Supervising Foley Editor: John Simpson
Supervising Dialogue & ADR Editor: Gary Chen
Foley Artists: Sam Rogers, Chumnan Chuponkrang
Sound Effects Editors: James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt Chungsanga
Best Sound & Music Editing: Feature Film – Foreign Language
The Past
Supervising Sound Editor: Thomas Desjonqueres
Supervising ADR Editor: Frédérique Liebaut
Foley Artists: François Lepeuple
Best Sound Editing in Television: Short Form – Music
Game Of Thrones: “The Rains Of Castamere”
Supervising Music Editor: David Klotz
Best Sound & Music Editing: Television Animation
Fairly Odd Parents “Dumbbell Curve”
Supervising Sound Editor: Heather Olsen, MPSE
Sound Designer: Heather Olsen, MPSE
Supervising Foley Editor: Roy Braverman
Supervising Dialogue Editor: Robbi Smith, MPSE
Foley Artist: John Lampinen
Best Sound & Music Editing: Television Documentary Short Form
North America: No Place To Hide
Supervising Sound Editors: Kate Hopkins, Tim Owens
Sound Effects Editor: Stephen Griffiths
Assistant Dialogue Editor: Owen Peters
Music Editor: Michael Baber
Best Sound & Music Editing: Television Documentary Long Form
Deadliest Catch: The Final Battle: The Final Battle
Supervising Sound Editor: Bob Bronow, CAS
Sound Designer: Bob Bronow, CAS
Sound Effects Editors: Kevin Skaggs, Selina Zakaria
Dialogue/ADR Editor: Jason Tuttle
Dialogue Editors: Kevin Skaggs, Edward Rodriguez
Music Editor: Doug Kern
Best Sound Editing in Television: Short Form – Music, Musical
Peg + Cat: The Beethoven Problem
Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel Mennella
Best Sound Editing in Television: Short Form – Dialogue and ADR
Game Of Thrones: “The Rains Of Castamere”
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin Mahon
Best Sound Editing in Television: Short Form – Sound Effects And Foley
Breaking Bad: Felina
Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff Cranford
Best Sound Editing in Television: Long Form – Music, Musical
History Of The Eagles: Part OneMusic Editor: Annette Kudrak
Best Sound Editing in Television: Long Form – Dialogue & ADR
The Bridge: “Pilot”
Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE
Best Sound Editing in Television: Long Form – Sound Effects & Foley
Sons Of Anarchy: Salvage
Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin Meltcher
Best Sound & Music Editing: Computer Episodic Entertainment
Mortal Kombat: Legacy Series Ii – Ep.4
Supervising Sound Editor: Michael Babcock
Sound Designers: Michael Babcock, Tim Gedemer
Supervising Foley Editor: Jeff Sawyer
Foley Artist: Gregg Barbanell
Sound Effects Editors: Ian Herzon, Bryan Jerden
Best Sound & Music Editing: Computer Interactive Entertainment
Starcraft 2: Heart Of The Swarm Cinematic
Supervising Sound Editor: Paul Menichini, MPSE
Sound Designers: Paul Menichini, MPSE, David Farmer, Stuart Provine
Supervising Foley Editor: Darrin Mann
Supervising ADR Editor: Andrea Toyias
Foley Artist: Gregg Barbanell, MPSE
Sound Effects Editor: Caroline Hernandez, MPSE
Sound Editors: Thomas C. Brewer, MPSE, John Kurlander
Dialogue/ADR Editors: Alexander Ephraim, Clinton D. Jones
Music Editor: Neal Acree
Best Sound & Music Editing: Direct to Video – Animation
Batman: The Dark Knight Returns Pt. 2Supervising Sound Editor: Robert Hargreaves, MPSE
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Foley Artist: Gary Marullo
Sound Effects Editor: George Brooks
Dialogue Editors: Kelly Foley-Downs, Mike Garcia
Foley Editor: John Hegedes
Best Sound & Music Editing: Direct to Video – Live Action
Marvel One-Shot: Agent CarterSupervising Sound Editor: Andrew DeCristofaro, MPSE
Sound Designers: Ann Scibelli, MPSE, Michael Payne, MPSE
Supervising Dialogue Editor: Laura Harris-Atkinson
Foley Artists: Gary A. Hecker, Gary Marullo
Best Sound & Music Editing: Special Venue
To The Arctic 3DSupervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designers: Stephen P. Robinson, MPSE, Peter Staubli, MPSE
Sound Effects Editors: Edmond Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
Supervising Dialogue/ADR Editor: Tim Kimmel
Dialogue Editor: Steve Judson
Supervising Foley Editor: Kerry Carmean-Williams
Foley Artists: Gary A. Hecker, Gary Marullo
Music Editor: Steve Wood
Career Achievement Award
Randy Thom
Verna Fields Award
Robomax
Supervising Sound Editor: Tingli Lim
Sound Designer: Tingli Lim
Foley Artist: Ricky Butt
Music Editors: Sarah Warne, Tingli Lim
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