Monday, November 30, 2015
Toronto Film Critics Association names Deepa Mehta winner of the 2015 Technicolor Clyde Gilmour Award
Mehta to endow the filmmaker of her choosing with $50,000 in services from Technicolor Creative Services
The Toronto Film Critics Association is pleased to announce director Deepa Mehta is the recipient of this year’s Technicolor Clyde Gilmour Award.
The TFCA thanks Technicolor Creative Services for enabling the Technicolor Clyde Gilmour Award recipient to give $50,000 in services to a filmmaker of their choosing. Mehta will announce her designate in the days to come.
“Being chosen by the Toronto Film Critics for the Technicolor Clyde Gilmour Award is gratifying, unexpected, and genuinely touching. It’s a great feeling.
The relationship between artists and critics can certainly be fractious, but in a strange way we are inextricably connected – we all have a passion for movies (well not all movies) and value it when they make a contribution to increasing our understanding of each other and reveal the foibles of human existence. I admit that I am sometimes strongly opposed to the views expressed by some critics and perhaps am too vocal at times about my disagreements. This makes this award even more precious to me.
I wanted to add that Technicolor, who sponsors this Award and lets me “give” $50,000 in services to a fellow filmmaker (how great is this!), has worked closely with me on many of my films with a generous, flexible understanding of the inner workings of movie making. I am really delighted to be associated with them as part of this Award.”
"Deepa Mehta has expanded the horizons of Canadian cinema with intrepid vision," says TFCA President Brian D. Johnson. "In a career spanning 25 years, her films have crossed boundaries between continents and cultures, genres and genders. As a fiercely independent female director, with a canvas that ranges from brutal injustice to Bollywood delirium, she's shown there's no limit to where a Canadian movie can go."
Deepa Mehta is a transnational artist and the writer-director of the Oscar-nominated feature film Water. She began her career making documentaries in India where she was born. Since immigrating to Canada in 1973, Mehta has become one of Canada’s leading filmmakers. In 1991, her first feature film Sam & Me won a Special Jury Mention in the Camera D'Or section at the Cannes Film Festival. Mehta is well known for her elemental trilogy Fire (1996), Earth (1998), and Water (2005). Earth was sent by India as its official entry for the Academy Award for Best Foreign Language Film. Water was Canada's official entry for the Academy Award for Best Foreign Language Film, making it only the second non-French-language Canadian film to be put forth for consideration in that category, and the first to receive an Oscar nomination. She was awarded a Genie Award in 2003 for the screenplay of Bollywood/Hollywood. In 2012, Mehta completed her epic cinematic adaptation of Salman Rushdie’s famous novel about the history of India in the 20th century, Midnight’s Children. The movie, was chosen as the Best Feature Film of 2013 at the Directors Guild of Canada’s Awards. Most recently, she wrote and directed the crime thriller film Beeba Boys (2015) which premiered at the 2015 Toronto International Film Festival. In May 2012, Mehta received the Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts. In 2013, Mehta was appointed as an officer to the Order of Canada, Canada’s highest civilian honour, for her work as a “groundbreaking screenwriter, director, and producer." She is also a recipient of the province of Ontario’s highest honour, the Order of Ontario.
Mehta’s work as an artist, as a progressive voice about social issues, and her generous mentorship have often been recognized. She has received numerous honorary degrees and many awards and honours, among them: The Life of Distinction Award from the Canadian Centre of Diversity, The Excellence in the Arts Award from the Canadian Civil Liberties Association, and the Woman of Distinction, President’s Award from the YMCA.
The Technicolor Clyde Gilmour Award has been given to Canadian industry figures whose work has in some way enriched the understanding and appreciation of film in this country. Past winners include Elwy Yost, James Quandt, Robin Wood, Kay Armatage, Allan King, John Dunning, and Norman Jewison. The award was last given to Piers Handling in 2014.
The Toronto Film Critics Association will announce the bulk of its 2015 awards on December 13, 2015, including the Stella Artois Jay Scott Prize for an emerging artist and the Manulife Financial Student Film Award. The TFCA will also name the three finalists for the coveted Rogers Best Canadian Film Award, by far Canada’s richest film prize at $100,000 with $5,000 going to each of two runners-up.
The winner will be announced at the 19th annual TFCA Awards, a gala dinner held in Toronto at The Carlu on Tuesday, January 5, 2016. The event will once again be hosted by Cameron Bailey, artistic director of the Toronto International Film Festival.
The TFCA is extremely grateful to founding sponsor Rogers Communications Inc. and welcomes new Jay Scott Prize for an emerging artist sponsor Stella Artois and accessory sponsor Birk’s. Thanks to returning sponsors Manulife Financial, Cineplex Entertainment, Technicolor Creative Services, Maclean’s Magazine, the Globe and Mail, Shangri-La Hotel Toronto, MacLaren Craft and Ontario Media Development Corporation.
Please note: under the TFCA’s guidelines, contenders eligible for the awards include films released in Toronto in 2015 as well as films that qualify for the 2015 Academy Awards and have a Toronto release scheduled by the end of February 2016.
The Toronto Film Critics Association was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print, electronic and web outlets are represented. Members of the TFCA also participate in the Federation of International Film Critics (FIPRESCI). As such, they have sat on juries at festivals in Cannes, Berlin, Venice, Toronto, Montreal, Miami, Palm Springs, Chicago, Pusan, Moscow, Amsterdam, London and Vienna, among others.
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