Thursday, March 23, 2017
Sundance Now enters the streaming game
by Allan Tong
Sundance is entering the streaming game with a new service called Sundance Now. For US$6.99 a month, subscribers access a catalogue of indie features, award-winning docs and some series.
Sundance Now's curator George Schmalz (pictured above, left, formerly of Kino Lorber and Kickstarer) and general manager, Jan Diedrichsen (right) flew up from New York last night to launch the service with a Q&A and brief video presentation at the AGO in Toronto.
Features include Heathers, Rhythm Thief, Dementia 13, Kubrick's obscure early film, Fear and Desire, and Takeshi Kitano's Violent Cop. The documentary selection is particularly notable with titles such as Knuckleball, War Don Don, Burma VJ, Detropia, Wordplay, Bronx Obama and Page One. So far, there are only seven series including two Sundance originals, The Bureau and Take 5: Justice in America which center on espionage and the prison system. Viewers can select titles pre-curated by filmmakers such as Jonathan Demme and Bruce McDonald under the Curators Collection select their own playlists (The Central Park Five and Anvil, respectively).
The cost is US$6.99 a month or US$59.99 a year. Note that Canadians pay based on the US price, so account for the currency exchange.
Sunday, March 12, 2017
A step forward for Canadian diversity at 2017 CSAs
Tatiana Maslany (above) walked away with two big statues at Sunday's Canadian Screen Awards gala in Toronto. That's three if you count the award that Orphan Black (below) snagged for its farewell season. Pretty good for a show that nobody in Canada picked up until BBC America did. Oh, Canada...
Other big winners were Montreal director Xavier Dolan's It's Only the End of the World, the Jesse Owens biopic Race and Letterkenny for best TV comedy series.
Labels:
Academy,
awards,
Canada,
Canadian,
Canadian film,
Canadian Screen Awards,
CSA,
film,
film industry,
filmmaking,
television
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